Monday, April 2, 2012

Conclusion: Achieving greater mastery of paragraphing

This week’s edition of the Forum continues “Making Effective Paragraph Transitions,” the four-part essay that I wrote for my English-usage column in The Manila Times in early 2006. The essay discusses the various techniques that a writer can use to effectively bridge a paragraph to the one preceding it—a process that works in much the same way as logically bridging adjoining sentences in an exposition.

Part I, which I posted in the previous Forum edition together with Part II, took up the most basic forms of paragraph transitions, namely (1) to simply repeat in the first sentence of a paragraph the same operative word used in the last sentence of the preceding paragraph, and (2) to use in the first sentence of a new paragraph a synonym or words similar to a chosen operative word in the last sentence of a preceding paragraph. Also taken up in the essay were the various task-oriented paragraph transitions.

Part II then took up the basic extrinsic or implicit transitional devices that use the pronouns “this,” “that,” “these,” “those,” and “it” in the first sentence of a succeeding paragraph to link it to the preceding paragraph.

This time, Part III takes up the use of the words “it,” “such,” and “there” as well as of prepositional phrases for making paragraph transitions, while Part IV discusses the most sophisticated form of paragraph transitions—the so-called  “deep-hook” paragraph transitions, which subtly work out their bridging logic by making themselves an intrinsic part of the idea being developed. (April 1, 2012)

Part III – Making effective paragraph transitions

We have already looked into several extrinsic or implicit strategies for making a transition to a new paragraph from the one preceding it. All of these strategies begin the new paragraph with a sentence that either repeats a key word or phrase used in the preceding paragraph, or else substitutes a summary word or pronoun such as “this” or “that” for that key word or phrase. This time we will look into the use of the words “it,” “such,” and “there” as devices for similarly making such paragraph transitions.  

To illustrate how these words work as transitional devices, we will use the same prototype first paragraph that we used in the previous column, as follows: 

“As a traveler, I am a stickler for schedules and will adamantly resist any change in my itinerary, no matter how attractive that change might be. This was my cardinal rule until I accompanied a longtime friend from Paris on a five-day visit to several vacation resorts in Luzon and the Visayas, and for which Boracay Island was to be our final stop. At the last minute, however, on her insistence and egged on by our tour guide, I reluctantly broke my own rule and agreed to join her on an unplanned trip to Palawan.”  

Strategy 5:  Use the anticipatory pronoun “it,” otherwise known as the expletive “it,” to begin the new paragraph. We know, of course, that many teachers of writing frown on this usage, claiming that it seriously robs sentences of their vigor. As the two examples below will show, however, this device can be very efficient as a paragraph transition:

As a traveler, I am a stickler for schedules and will adamantly resist any change in my itinerary, no matter how attractive that change might be. This was my cardinal rule until I accompanied a longtime friend from Paris on a five-day visit to several vacation resorts in Luzon and the Visayas, and for which Boracay Island was to be our final stop. At the last minute, however, on her insistence and egged on by our tour guide, I reluctantly broke my own rule and agreed to join her on an unplanned trip to Palawan. 

It was past midnight at our Boracay cottage when my friend suddenly sprung the Palawan idea on me… 

or:
It was farthest from my mind that my friend would even think of a Palawan trip just when we were ready to fly to Manila…

It’s true, however, that too many expletives in a composition can be very distracting, so we must use this paragraph transition device very sparingly.
  
Strategy 6: Use the pronoun “such” in the first sentence of the new paragraph to echo an operative idea in the preceding paragraph:

As a traveler, I am a stickler for schedules and will adamantly resist any change in my itinerary, no matter how attractive that change might be. This was my cardinal rule until I accompanied a longtime friend from Paris on a five-day visit to several vacation resorts in Luzon and the Visayas, and for which Boracay Island was to be our final stop. At the last minute, however, on her insistence and egged on by our tour guide, I reluctantly broke my own rule and agreed to join her on an unplanned trip to Palawan. 

Such was what happened to my best-laid plans after my friend chanced upon a Palawan tour brochure…

We must take note, though, that some grammarians find this use of “such” as a noun semantically objectionable. They would rather use “such” as an adjective or adverb to make such transitions:

As a traveler, I am a stickler for schedules and will adamantly resist any change in my itinerary, no matter how attractive that change might be. This was my cardinal rule until I accompanied a longtime friend from Paris on a five-day visit to several vacation resorts in Luzon and the Visayas, and for which Boracay Island was to be our final stop. At the last minute, however, on her insistence and egged on by our tour guide, I reluctantly broke my own rule and agreed to join her on an unplanned trip to Palawan. 

Such a radical departure from our travel plans was very unpalatable, but my friend was so headstrong about it…

or:
            Such was my consternation about the Palawan idea that I actually considered going back to Manila without my friend…

Strategy 7: Use the pronoun “there” in the first sentence of the new paragraph to introduce the new idea that will be developed. See how effective this transitional device can be in effecting shifts in time, place, scene, or subject:

As a traveler, I am a stickler for schedules and will adamantly resist any change in my itinerary, no matter how attractive that change might be. This was my cardinal rule until I accompanied a longtime friend from Paris on a five-day visit to several vacation resorts in Luzon and the Visayas, and for which Boracay Island was to be our final stop. At the last minute, however, on her insistence and egged on by our tour guide, I reluctantly broke my own rule and agreed to join her on an unplanned trip to Palawan.

There was a time when I would summarily reject unplanned trips like that…

or:
There was a very compelling reason why I didn’t want to make that Palawan trip, but my friend would hear nothing of it…

For the same reasons that they shun the expletive “it,” however, many teachers of writing strongly caution against this usage, arguing that it encourages lazy writing. Thus, as a rule for short compositions, more than one paragraph beginning with “there” would probably be too much.

We will now go to another type of paragraph transition, one that exhibits both extrinsic and intrinsic properties. The most common transitional devices of this type are the prepositional phrases used to begin the first sentence of paragraphs that set off events by order of occurrence, or to indicate changes in position, location, or point of view. Typically, these prepositional phrases are introduced by a preposition, but unlike such usual stock transitional words or phrases as “before,” “after,” and “as a result,” they carry specific information about the subject being discussed.

Some examples:

Prepositional phrases serving as paragraph transitions marking the sequence of events: “At 8:00 in the morning…”, “By noon…”, “At 6:00 in the evening…”

Prepositional phrases serving as paragraph transitions marking changes in position:  “At sea level…”, “Below sea level…”, “Above sea level…”

Prepositional phrases serving as paragraph transitions marking changes in location: “In Manila…”, “In Rome…”, “In London…”

Prepositional phrases serving as paragraph transitions marking changes of point of view in the same composition: “As a private citizen…”, “As a professional…”, “As a public official…”

To conclude our discussions on paragraph transitions, we will take up in Part IV the so-called “deep-hook” paragraph transitions—the type that blends so effortlessly and so unobtrusively with the developing prose that we hardly notice that the transition is there at all. (January 23, 2006)

Part IV – Making effective paragraph transitions

We will now discuss “deep-hook” paragraph transitions—the type that subtly works out its bridging logic by making itself an intrinsic part of the idea being developed. Unlike the usual conjunctive adverbs and transitional phrases such as “but,” “however,” and “as a result,” deep-hook paragraph transitions don’t call attention to themselves. They do their job so unobtrusively that readers hardly notice they are there at all.

To show what they are and how they work, we will use the same prototype first paragraph that we used to illustrate the other types of paragraph transitions:

“As a traveler, I am a stickler for schedules and will adamantly resist any change in my itinerary, no matter how attractive that change might be. This was my cardinal rule until I accompanied a longtime friend from Paris on a five-day visit to several vacation resorts in Luzon and the Visayas, and for which Boracay Island was to be our final stop. At the last minute, however, on her insistence and egged on by our tour guide, I reluctantly broke my own rule and agreed to join her on an unplanned trip to Palawan.”

Strategy 8:  Use the last word or phrase of the preceding paragraph as the first word or phrase of the next paragraph, then make it the takeoff point for developing another idea. This is the simplest of the deep-hook paragraph transitions and is most effective when limited to two or three words, such as “Palawan” in this example:

As a traveler, I am a stickler for schedules and will adamantly resist any change in my itinerary, no matter how attractive that change might be. This was my cardinal rule until I accompanied a longtime friend from Paris on a five-day visit to several vacation resorts in Luzon and the Visayas, and for which Boracay Island was to be our final stop. At the last minute, however, on her insistence and egged on by our tour guide, I reluctantly broke my own rule and agreed to join her on an unplanned trip to Palawan.           
           
An unplanned trip to Palawan was farthest from my mind at the time because I was so in a hurry to get back to Manila...


1.5

When it uses too many words, this type of paragraph transition may still work but it tends to be repetitive and clunky.

Strategy 9: Use an earlier word or phrase in the last sentence of the preceding paragraph as the first word or phrase of the next paragraph, then make it the takeoff point for developing another idea.

As a traveler, I am a stickler for schedules and will adamantly resist any change in my itinerary, no matter how attractive that change might be. This was my cardinal rule until I accompanied a longtime friend from Paris on a five-day visit to several vacation resorts in Luzon and the Visayas, and for which Boracay Island was to be our final stop. At the last minute, however, on her insistence and egged on by our tour guide, I reluctantly broke my own rule and agreed to join her on an unplanned trip to Palawan.
           
Our tour guide had apparently spared no effort in foisting the outrageous idea on my friend’s impressionable mind...

Strategy 10: As the next paragraph’s takeoff point for developing another idea, use a word or phrase in a sentence other than the last sentence of the preceding paragraph. To establish its logic, however, this type of paragraph transition usually needs a multiple hook—perhaps two or more operative words or phrases from the preceding paragraph:

As a traveler, I am a stickler for schedules and will adamantly resist any change in my itinerary, no matter how attractive that change might be. This was my cardinal rule until I accompanied a longtime friend from Paris on a five-day visit to several vacation resorts in Luzon and the Visayas, and for which Boracay Island was to be our final stop. At the last minute, however, on her insistence and egged on by our tour guide, I reluctantly broke my own rule and agreed to join her on an unplanned trip to Palawan.

That my friend should specifically insist on Palawan after already visiting several vacation resorts in the Visayas was terribly upsetting to me...

Here, the multiple hooks are “friend,” “several vacation resorts,” and “Visayas” from the second sentence of our prototype first paragraph, and “Palawan” from its last sentence.

Strategy 11: Use an “idea hook,” one that distills into a single phrase an idea expressed in the preceding paragraph, then use it as takeoff point for developing the next paragraph. This is the subtlest and most sophisticated form of paragraph transition of all, and its skillful use in compositions often indicates how good a writer has become in the writing craft.

Here are two idea hooks for a paragraph that will follow our prototype first paragraph:

As a traveler, I am a stickler for schedules and will adamantly resist any change in my itinerary, no matter how attractive that change might be. This was my cardinal rule until I accompanied a longtime friend from Paris on a five-day visit to several vacation resorts in Luzon and the Visayas, and for which Boracay Island was to be our final stop. At the last minute, however, on her insistence and egged on by our tour guide, I reluctantly broke my own rule and agreed to join her on an unplanned trip to Palawan.

Giving in to my friend’s utterly capricious idea upset all of my well-laid plans for the remainder of that month...

or:
That spur-of-the-moment decision led to an experience so delightful that I vowed never again to so doggedly take the well-beaten path in my travels...

In practice, however, deep-hook paragraph transitions should not be used to the exclusion of the conventional conjunctive adverbs and transitional phrases. In fact, compositions that use a wide variety of paragraph transitions flow better and are generally more readable than those that use only one type. (January 30, 2006)

This ends the four-part essay on “Making Effective Paragraph Transitions.” I hope that it has clarified whatever lingering doubts you might have about how to properly bridge paragraphs in your expositions.

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